We are a generation of fatherless children. A generation so far lost in our own sadness and feelings of abandonment, we look only to each other.
This is the best possible outcome for the situation.
Because we. are. not. alone.

The Nuclear Family has erupted. Dad’s stopped coming home from work. Instead he visits the bars. Mom cries a lot. The other kids in the family cry, too. So we cry: we cry harder and louder than any of the others, unaware of why or how, but knowing we’re justified in it.
Then, Dad does come home, stinking. Too late after dinner– which we eat in front of the TV now. TV’s kind’a like Mom and Dad, ‘cause Dad’s always home late and mom’s always staring: out the window. Smoking. Folding Laundry.
Did she always smoke?

Dad finally detonates, taking the Nuclear Family with him.

He comes home later than usual one night. He stinks. It’s a bitter kind of stink. Like the stink after pulling a prank crossing from harmless to malicious, humorous to depraved.
Mom and Dad are screaming. We’re pulled out of the room, away from the loud noises. Sounds nearer-by try to drown them out. Deliberate sounds. Sonic equivalents of rocking back and forth hugging our head. There’s a lot of tension in our muscles and guts, and our bum doesn’t feel right– like we ate bad meat. Or suddenly developed stomach flu.
Twitches are present from then on. Subtle, yet obvious signs something’s not right.
The noises last a while, sort’a freezing us in time. We cry. The other kids don’t. The eldest runs off, able to. We envy but miss them, yet desire to remain. The other remains with us, choice-less, but too old and numb to cry. At least in front of us. Sometimes.
We cry a while instead, losing sense of time in the chaos outside that eventually dies down– enough for the arms to come away from the ears, if yet the rocking continues.

I am dangerous: I feel.

The other keeps us occupied. Somewhere inside, we know it’s a distraction: an attempt to help process. Conscious or not, even if we do not understand the terms, the knowledge is there. The underlying concepts, undeniable, immutable.

These are not things to understand, the other teaches.

I am dangerous: I feel.

Dad goes away. He’s gone a long time. He doesn’t ever come back to stay. We have to go see him somewhere else. A place that isn’t home. There are strange people there. Ones that seem to know us, greet us, like family.
I have never met them.
We start learning a lot in a short time. Big words we’re not supposed to hear or understand. Words we’re not allowed. Why?

I am dangerous: I feel.

Strange people come and go: New ones. Old ones. Elderly ones. Young ones like us. Those we like best. They, too, seem to be confused on things. We don’t speak to them much, but we like them. We make fools and fiends of ourselves. We don’t know why.
There are new places too. Places that seem strange, even for irregular people like we’ve become. Places with men in robes. Rows of chairs. Men with badges and guns. The kind that guard. All of them look unhappy to be there, so we play along. Mostly, we’re glad Mom and Dad are in the same room.
But then, later, the fighting again. Walking away alone this time.

These are not things to understand, the other echoes.

I am dangerous: I feel.

There are only a few more new people now. Some like us: younger. The others seem to have settled in their places for now. Dad is with them. We still do not know them. We know she is not Mom, yet acts as her– as if to usurp.
Snake.
We don’t like the other young one. Dad pays it our attention. We begin to cry again, more often. What is happening here?

I am dangerous: I feel.

Dad does not try to sugar coat it. Anything. He never again candy-coats a single word or behavior. This, we understand, is growing up. This is the realm of the Adult. Of the sweary-mouthed sailor-comic and the naked-chested cable lady.
It is a brave new world, someone says.
Mom says otherwise. In fact, she screams it. Everything. If she is not screaming, she is crying. Often, she is doing both together. Sometimes, we do too. Sometimes the other leads us away. Still other sometimes we wander off alone.

Until we begin to break the golden rule:

These are not things to understand, the other echoes.

But we do. We are not sure how, but we do. We are also certain on how to fix these things, but no-one wants to listen. Or is willing to stop scream/crying or stink-snaking long enough to listen.
Mom is not happy. Dad is not happy. We are not happy. Nor are the other or eldest, whom we see less and less. These are not good things. These are the baddest of bad. So why can’t we come together and prevent it? Why can’t we listen?

I am dangerous, I feel.

Slow and subtle, we feel the creep of something. An anonymity. A dreadful yearning for attention. Not ours. Elsewhere. Distractions. We wish for the night and darkness. To command fear and dread so we no longer live with tension in our muscles and tendons and bones and bum and guts.
It comes from the loins. Sometimes, late at night. We think of the naked-chested cable lady, and those things the sailor-comic swore about her. It warms us. We like it. We make it warmer. It feels good. Like awakening.
We mention it to others like us. We know that’s how it works. Somehow. Instinct, someone says. An old person word. Something to do with the warmth, awakening.
The one not like us feels good, but so does the one like us. We like warmth. We later hear words that harden but do not frighten about this. Our feelings remain unchanged, though we become more excluding, excluded.

I am dangerous, I feel.

We learn things as unusual. We believe otherwise. Feel otherwise. We exclude more. Seek only others that find night and darkness, full warmth, and sailor-comics and naked cable-ladies exciting. We join groups, bands, form tight cliques that last us decades yet form or crumble in moments.
We go through so much so quickly, and with everything else, it is impossible to know if we’ll ever come to see it all. We are not meant for this speed. And we are far beyond our realms of understanding, still hung up on…

These are not things to understand, the other echoes.

I am dangerous, I feel.

The night is sanctuary. It hides all depravity. No-one around means no-one to watch. They would not anyhow. Mom is rarely home. The other keeps us in line, fed. They are mom-sis. It is difficult. The shift is natural enough with the chaos around.
Mom works now too. It is hard. She’s not paid well. Mom-sis cannot work. She helps how she can, mostly with us. Eldest does too.
Family must support each other: this is said often. Loudly. And proudly.
Mostly it is said with a kind of wanting sorrow. A feeling we know all too well. The feeling of stink-snaking and scream/cries beneath mad-eyed smiles.

But the darkness absolves us of all. We don’t fear the others there. We feel only the warmth we surround ourselves with. We meet new people that like the warmth too. And we join the warmth however we can. We seek happiness in them because we know we won’t find it at home.
We ride forever and ever. One day is the same as the next. Night is the goal, always. Riding and running for days so nights can be warm and colorful. The days are colored no less for it. Somewhere is still an uneasiness. Tenuous for now, but at-peace.
We know it will come back again. When, we can’t say. Gut feeling says so. The one time teaches. That says the sun rises and sets. That we can trust in that, if nothing else.
The others like us, feel the same.

I am dangerous: I feel.

We become attached to a specific few. Time is spent mostly with them, or alone. They are all like us, forced into place without regard. We bond. This begins a cycle best summarized thus:

Here we go again!! what’s the point again?

Inside we are day. Outside we are night. Neither bothers us, or is any less us than the other. We ride two-ality like radical waves cause our futures so bright we gotta wear shades.
Something like that.
Knowledge comes quicker and quicker. Easier. Reading is fun. Taking time between two other things: writing, games– all stories.
Stories never wither.
Mom still cries and screams. Dad is meaner now. He says things he shouldn’t. He makes mom-sis cry. He makes Mom cry. He makes us cry. We dislike Dad. But we love him. He is Dad.
This two-ality can’t coast, bro…
We cry more. Again. Start to understand. What was hidden. Uneasiness. Out of placeness. Missing confidence. Something we never felt before.

I am dangerous. I feel.

We become excluding again, but do not stop. Ever. It is now a trait to seek almost solely the night. Warmth. Color. Exuberance. It is color that we see mom-sis embrace. It is not ours, but her own. It suits her.
We like our colors anyway. Some don’t. We understand this is why we must be excluding. Stink-snaking is a bloodsport with innocent bystanders. Like war. Which we love to understand. It is depraved. Like us. A thing of night and hot blood and passion. Corrupted innocence incarnate, which we now know ourselves to be.

It’s never to hurt. No. But like the joker whom pranks with the squirt of a flower, meant to be innocent, amusing. Showing of a sort of twisted affection only those that understand us can understand. Most do. Eventually. Even the ones that pretend they don’t, do too.
We’re not their type, but a prototype. Above they and the rest. Something tells us this. We don’t believe it. Though it is true, we don’t learn it for some time. How. Why. For now, we remain prototypical and in demand, yet plagued with failure.
Mom and Dad notice. They have no room to judge. Mom-sis notices too. Eldest is absent. All are upset.

Here we go again!! What was the point again?

I am dangerous: I feel.

And so it goes for longer than we can comprehend. Time is flashes. Television Mom and Dad. Mom-sis on the cello-lin. Lots of scream/crying. Stink-snaking. Bloodsports.

Here we go again: What was the point again?

Reading. Writing. Learning. Discussing. Seeking warmth. Often not finding it. Having it teased just out of reach. Prototype or not, frustration builds. We isolate and exclude further, never minding.
We begin to hide things. Make secrets. Lay plans. We break rules and push limits and test boundaries like never before. Night always comes and with it hides our indiscretions. Then, after the coming of day, the here-we-go-again-go-round absolves us. Day is white. Night is black. Color is everything around.
We fight. We love. We hate. We swear and smoke and drink and spit and swallow and fuck and forget and forgo and hope and dream and scream and cry and laugh and kiss and tell lies and make stories, and all to fill the void between the two-ality of things, the duality of things.
We are the all singing, all dancing crap of the universe.
Until darkness comes, and sadness falls, and betrayal abounds. We partake in it all, because we know we can and we’re allowed. Until we’re accused of excess for wanting to suckle the teats of knowledge so forcefully fed to us, and appreciated.

Something happens. More new people. Others leaving. Some gone, come back again. Others remain unchanged. Still more hurt, and hollow, desecrate and deconsecrate. Dad stays. Mom and mom-sis go away. No-one is the same again.
We are something different now. Swaddled in hate. Something changed and rabid. Weaponized. Something turned from pure, innocent, into corrupt and vile. Made vicious by pain, fetid wounds. Battered and broken. Manipulated and hurt. We are all these things.
But perhaps now…

These are not things to understand, the other echoes.

I am dangerous, I feel.

Depravity drives us. We know it well. It is simple. Animal. It is the chaos of the universe at its core. Always decaying, always eroding. Chasing the dragons of a million uninterrupted myths and legends. Then, questions. More questions. Always questions. Why so many questions?
We don’t know why we’re forced apart, the night and day. The day and night. As if the two were inseparable. Like Gemini: twins, kindred spirits. Redeemers and destroyers. Bitch and bastard. We only know that there’s ridicule, that the prototype is malfunctioned.
It is not, but we do not know that. In all the here-we-go-again-go-rounding and excess of intake, experiment, and evaluate, we lose something. A focus. A clarity.

I’m told it’s the drugs. I don’t believe that. I know the truth…

I am dangerous: I feel.

We go back and forth, round again. Wounds. Weeping. Love, swooning. Mom and mom-sis bleed. Eldest screams. We cannot look back: the trail of failed prototype parts is too hard to bear for the loss incurred.

Anything can be rationalized by a mad enough man.
I know. I did it.

We are dangerous: We feel.

We cannot go back to what we were. So we move forward. How? Inclusion. One specific. To replace one lost, and with hope, build toward what we hope to be the crowning future. That which sees day turned to night and night, day, and color and warmth and vibration all as one.
For a prototype is, if nothing else, a showpiece for some avid collector. Finding one is a surprise. Finding a good one is a miracle. She’s the latter. He would be too. Time and distance are dictators and love is what makes the world go ’round.

The danger is not that we feel. The danger is that others do, too. That vastly complicates the web of possible interaction, and no doubt befuddles the mind. Especially for mass-production models.
Prototypes though, have features not included in mass-market versions. Simply, they’re too unstable. Mostly, in the Human sense, they’re difficult to come by as a result of genetic mutation.
But every once in a while, you get one. A whole line of ’em, even. And the best thing you can do, is run ‘em dead. Not just for their sake, but everyone’s. It’s an unfortunate fact of a prototype’s existence, that it is not for itself that it exists. Rather, it is for the masses that will soon come under its designs– the ones that appeal broadly.
The great tragedy of life is that this reality of possible-pains exists. The great comedy is that tragedy’s spawning of something far greater and grander than itself.
Duality at its purest.
Where that may lead us, no-one yet knows, but we can say for certain two things….

We are dangerous: we feel.